El ala interior [The Inner Wing], 2022

Performance by Agustina Muñoz and Mercedes Azpilicueta

Photo by AgenciaFS, Celeste Alonso

Photo by AgenciaFS, Celeste Alonso

Photo by AgenciaFS, Celeste Alonso

Photo by AgenciaFS, Celeste Alonso

Photo by AgenciaFS, Celeste Alonso

Photo by AgenciaFS, Celeste Alonso

Photo by AgenciaFS, Celeste Alonso

Photo by AgenciaFS, Celeste Alonso

Photo by AgenciaFS, Celeste Alonso

Photo by AgenciaFS, Celeste Alonso

Photo by AgenciaFS, Celeste Alonso

Photo by AgenciaFS, Celeste Alonso

Photo by AgenciaFS, Celeste Alonso

Photo by AgenciaFS, Celeste Alonso

Photo by AgenciaFS, Celeste Alonso

Photo by AgenciaFS, Celeste Alonso

Photo by AgenciaFS, Celeste Alonso

Photo by AgenciaFS, Celeste Alonso

Photo by AgenciaFS, Celeste Alonso

Photo by AgenciaFS, Celeste Alonso

Photo by AgenciaFS, Celeste Alonso

Photo by AgenciaFS, Celeste Alonso

Photo by AgenciaFS, Celeste Alonso

Photo by AgenciaFS, Celeste Alonso

Photo by AgenciaFS, Celeste Alonso

Photo by AgenciaFS, Celeste Alonso

Photo by AgenciaFS, Celeste Alonso

Photo by AgenciaFS, Celeste Alonso

Bienal de Performance, Buenos Aires, February 25 and March 18

2022

Nannies, wet nurses, seamstresses, cooks, laundresses, ironers, kitchen helpers, housekeepers, maids. In the homes of the oligarchic families of the late 19th and early 20th centuries, many women –adolescents and girls– lived and worked whose lives were completely tied and subordinated to the needs of their employers. Their religious practices, their emotional life, their intimate needs and their affective bonds took place in the intimate space of those whom they served. This sound and vocal piece works with archives of classified ads and historical documents that give an account of a memory of bodies and a history of care that we are still writing.

Credits

Performance and co-authorship in vocal composition: Daniela Basso, Guillermina Etkin y Laura Peralta
Composition and live music: Ailin Grad
Costumes: Lara Sol Gaudini

The script was made possible thanks to the contributions of researchers Julia Broguet, Lali Corvalan, Manuela Rodriguez and Patricia Nobilia.

With the kind support of Archivo General de la Nación Argentina, the Museo de Arte Español Enrique Larreta, Buenos Aires and Mondriaan Fonds, The Netherlands.

Photo Credit

AgenciaFS, Celeste Alonso